Table of Contents
- 1 What are 3 differences between Hindustani and Carnatic Indian music?
- 2 What is the difference between Carnatic music and classical music?
- 3 Is Hindustani music better than Carnatic?
- 4 How many Gamakas are there in Carnatic music?
- 5 Which type of flute Lord Krishna used?
- 6 Which flute is used in Carnatic Sangeet?
- 7 What are the different kinds of ornamentation in Carnatic music?
- 8 What are gamaks in music?
What are 3 differences between Hindustani and Carnatic Indian music?
Differences. (i) Origin of Hindustani music is earlier than Carnatic music. (iii) The major vocal forms of Hindustani music are Dhrupad, khayal, Tarana, Thumri, Dadra and Gazals. While Carnatic music embraces several varieties of improvisation consist of Alpana, Niraval, kalpnaswaram and Ragam Thana pallavi.
What is the difference between Carnatic music and classical music?
North Indian classical music is called Hindustani, while the South Indian expression is called Carnatic (sometimes spelled as Karnatic). According to Nazir Ali Jairazbhoy, the North Indian tradition acquired its modern form after the 14th or the 15th century.
What are Gamakas in Carnatic music?
Gamaka can be understood as embellishment done on a note or between two notes. Present-day Carnatic music uses at least fifteen different kinds of ornamentation. Gamaka is any graceful turn, curve or cornering touch given to a single note or a group of notes, which adds emphasis to each raga’s individuality.
Is Hindustani music better than Carnatic?
Basic Difference: In this respect, Carnatic music fares much better than Hindustani music. For there is between them a basic difference in their approach to raga, sahitya and inspiration. On the other hand, Hindustani classical music is a wide open prairie, a kind of Apache land without a sheriff.
How many Gamakas are there in Carnatic music?
Misritam 8. Kurulam Page 6 CARNATIC MUSIC 20 Notes Key Concepts of Carnatic Music Apart from this, ‘Kohala’ says about thirteen gamakas and Ahobala’s Parijata says about seventeen gamakas. At present musicians of Carnatic music follow only the Dashavidha Gamakas.
How many types of Gamakas were there in ancient period?
Answer: Hindustani music are five types of gamak.
Which type of flute Lord Krishna used?
bansuri
The bansuri is revered as Lord Krishna’s divine instrument and is often associated with Krishna’s Rasa lila dance. These legends sometimes use alternate names for this wind instrument, such as the murali.
Which flute is used in Carnatic Sangeet?
venu
The venu (Sanskrit: वेणु; vēṇu/मुरळि; muraļi) is one of the ancient transverse flutes of Indian classical music. It is an aerophone typically made from bamboo, that is a side blown wind instrument. It continues to be in use in the South Indian Carnatic music tradition.
What is gamaka in Carnatic music?
Gamaka can be understood as embellishment done on a note or between two notes. Present-day Carnatic music uses at least fifteen different kinds of ornamentation. Gamaka is any graceful turn, curve or cornering touch given to a single note or a group of notes, which adds emphasis to each raga ‘s individuality.
What are the different kinds of ornamentation in Carnatic music?
Present-day Carnatic music uses at least fifteen different kinds of ornamentation. Gamak is any graceful turn, curve or cornering touch given to a single note or a group of notes, which adds emphasis to each raga ‘s individuality. Gamaka can be understood as any movement done on a note or in between two notes.
What are gamaks in music?
Gamaks involve the variation of pitch of a note, using heavy forceful oscillations between adjacent and distant notes. Each raga has specific rules on the types of gamaks that might be applied to specific notes, and the types that may not. Various commentators on Indian music have mentioned different numbers of gamaks.
What is gamaka in raga?
Gamaka is any graceful turn, curve or cornering touch given to a single note or a group of notes, which adds emphasis to each raga ‘s individuality. Gamaka can be understood as any movement done on a note or in between two notes.